Regency Corset - Finished Outside

“8″ is in quotes because all told this is less than a day’s work, but it happened in very inefficient mini sewing sessions over the past couple weeks.  There were several days when all intentions of sewing were thwarted.

So, at this point the corset is technically finished.  It is entirely sewn and grommeted.  The only detail left is the period fan lacing, and then I will be making the chemise and bodiced petticoat to go with it.

The top edge was trimmed and edged, as described in How to Edge a Corset and, because of the shoulder straps, How to Edge Around Tabs.

 

The next step was to add the bust ribbon, a small silk taffeta ribbon along the front of the bust which can be tightened to cinch in the top of the bust slightly, or just tied into a nice little bow for decoration.

I edged the entire top edge of the corset before adding the bust ribbon so the ribbon would not create friction and potentially fray the raw edge of the corset inside the edging.  It also means the bust ribbon can be removed without causing any harm to the corset.

Regency Corset - Assembly 50

My edging ribbon is not quite wide enough to cover the existing edging, so I stitched to lengths of ribbon edge to edge.

 

Regency Corset - Assembly 51

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I needed to leave a small hole at the center of the bust where the silk ribbon emerges, so, following the same procedure as for normal edging, I started just to the side of center and stitched until I was at the side seam.  Roughly one inch of edging ribbon is left loose at the outer edge.

 

Regency Corset - Assembly 52

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I then repeated the procedure on the other side, leaving a hole about 1/4″ wide.  Here, the two silk taffeta bust ribbons are threaded through the hole.

 

Regency Corset - Assembly 53

To secure the outer end of the bust ribbon, I stitched it to the loose end of the edging ribbon.  I used a zig-zag stitch and went back and forth several times to make sure it will hold.

 

Regency Corset - Assembly 54

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This photo shows the silk bust ribbon stitched to the cotton edging ribbon.

 

Regency Corset - Assembly 55a

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The new layer of edging ribbon is finished exactly the same as normal edging, but I had to be careful not to catch the silk bust ribbon in the stitching.  The outer ends are folded under, but not stitched.  That way if the bust ribbon needs to be replaced, new ribbon may be threaded in from the armpit area and secured by hand.

 

Regency Corset - Assembly 55b

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This photo shows the bust ribbon pulled slightly, so there is some gathering along the top edge.

 

After that, I grommeted the shoulder straps and the back edges.  The shoulder straps are smaller grommets than the back edge.

Regency Corset - Finished Outside

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Regency Corset - Finished Lining

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Project: Regency Corset

 

 
Looped Buttonhole Stitch Eyelet - 5

These photos were taken a couple days ago.  I finished the eyelets for the bottom of the busk pocket and attached the pocket.

 

Looped Buttonhole Stitch Eyelet - 2

For the bottom of the busk pocket I decided to make hand-worked eyelets using a looped buttonhole stitch.  The first step is to define the eyelets.  Then create a running stitch just outside the circumference of the hole size you want.  The running stitch will help the eyelet hold its shape, and provide a guide while you create the buttonhole stitches.

 

Looped Buttonhole Stitch Eyelet - 2

Open the eyelet hole with an awl.  Depending upon the material, you may need to slash the material inside the eyelet hole so that it will evenly fold back away from the hole.  I had to do that for the busk pocket because the material was too thick to nicely open with just the tapered awl.

 

Looped Buttonhole Stitch Eyelet - 3

Each stitch starts from the back side of the eyelet, pulled through to the front.  These stitches define the outer edge of the eyelet hole, so try to keep your stitches an even distance out from the circle of running stitches.

 

Looped Buttonhole Stitch Eyelet - 4

Next drop your needle down through the eyelet and have it emerge to the front next to the prior stitch, maintaining your distance from the circle of running stitches.  Make sure the tail end of the previous stitch goes around the outside of the needle before dropping through the eyelet hole.  It is that loop which creates the border edge.  To finish the stitch just pull the thread tight (as tight as you can) and you will be back at the photo above.

If you do not want to create the edge border to your eyelets, just leave out the loop around the needle.

 

Looped Buttonhole Stitch Eyelet - 5

When you have completed the eyelet, instead of dropping the needle through the eyelet hole, run it down through the same place the very first stitch emerged.  This will create a loop to complete the edging.    As you can see, it’s been a while since I’ve done this and the circle is not even.  Practice is the only way to fix this problem.

 

Regency Corset Assembly - 46

The busk pocket cover, with both eyelets stitched.

 

Regency Corset Assembly - 47

I pinned the cover in place down the center front of the corset.

 

Regency Corset Assembly - 48

I then stitched down the busk pocket cover, stitching right along the edges of the cover.

 

Regency Corset Assembly - 49

To finish the busk pocket I used a narrow zig-zag stitch along the top edge of the corset.  The photo is from the front, but I actually stitched this with the lining up so I could see the border edge of the corset.

It is now ready for the top edge to be trimmed and bound.

 

 Project: Regency Corset

 

 
Regency Corset Assembly 43

I worked on the corded regency corset some more yesterday.  The shoulder straps are padded, the lining is attached, the busk pocket is sewn (if not yet attached), and the bottom edge has been bound.

 

Regency Corset Assembly 36

The prepared padding survived the washing machine perfectly, and didn’t even shrink much at all.  In this photo I have trimmed the ends fairly evenly.

 

Regency Corset Assembly 37

This section of padding is trimmed slightly wider than the shoulder strap.

 

Regency Corset Assembly 38

I have centered the padding on the shoulder straps (6″ is the center point), with the smoothly cut edge even with the straight edge of the shoulder straps.  The padding is sandwiched between the core coutil layer and the drill cover layer.

 

Regency Corset Assembly 39

I used a slight zig-zag stitch to secure all the layers along the trimmed edge.

 

Regency Corset Assembly 40

I then came back along the other edge, also stitching close to the edge with a zig-zag.  The purpose of using the zig-zag is so the edge still has all of its bias stretch in case it’s needed at a later point in the sewing.

 

Regency Corset Assembly 41

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This is one of the shoulder straps with the padding layered in, secured, and trimmed.

 

Regency Corset Assembly 42

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After finishing with the padding, I attached the lining to the entire corset.  Again, I used a slight zig-zag stitch close to the edges so they retain their bias stretch.  The back edges are folded under and loose.

 

Regency Corset Assembly 45

After securing along the top and bottom, I secured the lining to the back edges.  The lining needs to completely cover the raw edges of the core and cover, so it is stitched just in from the first cording channel with a hidden running stitch.

 

Hidden Running Stitch

 

To create the hidden running stitch, make each stitch alternately through the body of the corset, and inside the fold of the lining. The finished appearance is very similar to a machine stitch.

 

Regency Corset Assembly 43

Next I trimmed the bottom edge so it was completely smooth, and bound the edge.  Normally I have the edge binding cover the outer 1/4″, but the cotton taffeta ribbon I am using for this corset is too narrow.  Instead I bound the edge just inside from the zig-zag stitches, about 3/16″.

For a detailed tutorial on edge binding, see How to Edge a Corset.

 

Regency Corset Assembly 33

To make the busk pocket, I cut a rectangle of fabric longer than the front of the corset is tall, and 5.75″ wide.  Taking into account the 1/2″ seam allowance, that gives me a finished busk pocket cover which is 2 and 3/8 inches wide, wide enough to be sewn down and hold a 2″ wide busk.

 

Regency Corset Assembly 34

I pressed open the seam and stitched closed one end.

 

Regency Corset Assembly 35

Then I turned it.  The closed end is to the left.

 

Regency Corset Assembly 44

Both the body of the corset and the busk pocket cover are marked for eyelets.  The bottom edge is bound, so there is no fear of the eyelets creating bulk too close to the bottom edge.

 

Project: Regency Corset

 

Brown Silk Renaissance Stays

 
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Conical stays with tabs were historically used throughout the 1600′s and 1700′s. The simplest designs are created with the price-conscious reenactor in mind. Fancier designs and subtle variations in silhouette are possible when using complex panel piecing and decorative elements.

This is a bespoke conical corset for Renaissance reenactment.  It has a brown dupioni silk cover, busk pocket, and leather edging.

Blue Taffeta Silk Stays with Busk Pocket

 
final-front-med

Conical stays with tabs were historically used throughout the 1600′s and 1700′s. The simplest designs are created with the price-conscious reenactor in mind. Fancier designs and subtle variations in silhouette are possible when using complex panel piecing and decorative elements.

This is a bespoke conical corset for Renaissance reenactment.  It has a blue silk taffeta cover, busk pocket, and offset lacing.

Fully Boned Silk Renaissance Stays

 
final-outside

Conical stays with tabs were historically used throughout the 1600′s and 1700′s. The simplest designs are created with the price-conscious reenactor in mind. Fancier designs and subtle variations in silhouette are possible when using complex panel piecing and decorative elements.

This is a bespoke conical corset for Renaissance reenactment.  It has beige dupioni silk cover material, is fully boned, and has a pocket for a wooden busk.

 
Front View

Front View For those who followed the WIP posts, the bottom edging did not behave at all when I attempted to secure it with the sewing machine, so I ended up hand-stitching it on the inside.  After finishing the bottom edge, I inserted and secured the remaining boning, edge stitched the lining to the top, and hand-stitched the left and right edges of the lining.  Final details were edging the top and grommeting.  The customer who commissioned these stays requested instructions on how to hand-stitch the eyelets, a detail which can be done instead of grommets, or over grommets to provide a more period look.  Plus, it’s just darned pretty.  So, there will be a tutorial regarding hand-stitched eyelets in a couple months.  I wish it could be sooner, but that’s not possible due to other concerns which I am not yet free to discuss in an open forum.

These stays are constructed using modern materials and techniques to provide a beautiful foundation garment for modern reenactment.

Blue Taffeta Silk Stays with Busk Pocket

Fabric: Two core layers of corset coutil, silk taffeta cover, and cotton muslin lining
Boning: 1/2″ flat spring steel bones fanned for the front panel and 2 1/4″ flat spring steel bones per tab
Piecing: Three panels total – one front panel and two back panels
Edging: Bias-cut cover fabric
Busk Pocket: Cover material lined with muslin
Lacing Style: Offset lacing

Quarterfront View Side View Quarterback View Back View Inside Lining Hand Stitch Detail

 

 
wip7

I was able to spend a significant amount of time working on the stays today.  There are some differences in construction when including a busk pocket, so I photographed them for those who are curious.  Click the images for larger resolution and more detail.

I want the busk pocket to be within the bottom edge binding, and the pocket is going to cover the center boning channels, so I inserted and secured ONLY the boning in the center front.

 

The busk pocket is created by sewing a rectangle with silk on one side and muslin on the other.  The silk is folded over on the top, so the top 1″ or so is silk to silk.  The buttonholes are for the busk ribbon if one is used.  The sides are folded under by about 1/4″ and a double row of stitches secures the panel in place.  The finished pocket is big enough for a 2″ wide busk.

 

After the busk pocket was in place, I edge stitched the bottom, including around where the tabs will be cut.  Then I trimmed it all nice and smooth, removing any small discrepancies between the layers.

This is one of the places where work order gets a little tricky.  I want the lining to be within the edge binding, but it’s easiest to bind the edge BEFORE inserting the boning so the tabs can be moved as needed.  I also don’t want the securing stitches for the boning to go through the lining, so I double-checked the placement and length of all boning (since I use pre-cut lengths – if you cut to size you won’t need to worry about checking) and placed the securing stitches for the bottom of each boning channel.

 

Next I edge stitched again, this time with the lining in place.

 

After that I cut each of the tabs free from each other and started stitching the bottom edge binding.  Silk taffeta makes fantastic bias tape and I had enough left, so I decided to bind with self fabric.

There’s not a whole lot left before these stays are finished.  I just need to finish the bottom binding, insert and secure the boning along the top, bind the top edge, and grommet it.  Hopefully I’ll have it done in the next day or two, time allowing.

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