How to Make a Corded Regency Corset

 
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This tutorial will walk you through the process I used to create a full-length corded Regency corset with a busk pocket and period style fan lacing.  This is one type of support garment worn during the Regency period, roughly 1800-1815, and a common choice for modern costumers seeking to reproduce the fashions of the Regency and early Victorian.  Other options for the Regency era include short stays, transitional stays with bust cups, and a wrap-around similar to a modern bra.  The Oregon Regency Society has posted an excellent article giving an overview of the different foundation types used historically, as well as a lot of other excellent information.

For ideas on how to shape and decorate your corded corset, I have a Pin Board on Pinterest specifically featuring Women’s Regency Undergarments.  Other excellent sources of information and inspiration are regency-specific blogs, and online museum collections.

 

This particular corset was not based upon a single extant corset, but instead drew upon aspects of several different extant corsets.  Most corsets made in this general style will have a solid front panel, two back panels, and may or may not have a side panel as well.  All the examples I saw had gores for the bust, and shoulder straps.  Most examples I saw had a little boning, but most of the structure was provided by cording.  In an effort to make this corset machine washable, I decided to use ONLY cording, with no actual boning.  If you want to make your corded corset machine washable, be sure to pre-wash all the materials in hot water and avoid using steel boning.

This corset is plus sized, made with five panels total (one front, two side, and two back).  The outside cover is cotton drill (a finely woven twill fabric), the core layer is coutil (not historically accurate, but works very well), and the lining is cotton muslin.  The cording is cotton twist cord (linen cord also works nicely).  I also used buttonhole thread for detailing, and silver-colored grommets.

Scale concept sketch of the regency corset, showing shape and piecing.

This is a self-drafted corset.  There are a number of different commercial patterns available, and scale patterns showing the piecing may be found in books and online for those seeking to draft their own pattern.  If you use a commercial pattern, pick on that is as close as possible to your natural measurements, especially at the hip and bust.  The waist will need to be a little smaller than your natural waist.  Typical light-lacing is a 10% reduction of the waist measurement, and will be comfortable for most people.

Note that in the sketch above it is marked with the vertical placement of hip, waist, underbust, and bust.  Take note of these distances on yourself and modify the pattern vertically so its bust, underbust, waist, and hip match up to your own.  If these are off, the corset won’t fit and won’t be comfortable.

 

Make a Mock-up

Create a mock-up of your corset to make sure it fits before going to the trouble of making a finished garment.  There are people who can successfully size corsets using a muslin mock-up, but I honestly have no idea how they do it.  I can’t get a proper fit off a muslin because of the difference in fabric stability.  Muslin may not be “stretchy” fabric, but it does have give, and if put under tension it will pull out to a greater diameter than coutil or even cotton duck.  Cotton duck will work, but be aware that it has a lot of bias stretch, so if you have a lot of hip spring (added circumference at the hip compared to the waist), that bias stretch will give a false fit compared to coutil.  I found this out the hard way.  If you do use cotton duck, I recommend two layers to help combat this problem.

Ideally, I recommend making the mock-up out of the same or an equivalent material to the core material you intend to use on the finished garment.  I understand coutil is expensive, but this is the only way I have found to ensure an accurate fit without dozens of mock-ups.

If you have another method that works for you, by all means use that method.  There’s more than one way to make a good corset.

 

Cut out all your pieces.  Since I am using coutil, it will be one layer, and I won’t be finishing any of the edges.

First, insert the triangular gores into the bust of the front panel.  I have a separate tutorial posted about how to do this.

How to Insert a Triangular Gore into a Slash - Will open in a new window so you can return here when you are done with that step.

 

Stitch together all the panels.

Either grommet the opening, or use grommet tape.  I prefer grommet tape because it’s so much faster and easier.

Corded Regency Corset mock-up.

 

This is a photo of the mock-up, after it was returned by the customer.  If you ever get a mock-up for a custom item, keep this in mind.  I have never received back a mock-up so well modified and descriptive. Safety pins are holding folds of fabric to make the corset smaller where needed.  It’s drawn on or folded back where it needs to be shorter, and where the armpit needs to be a little larger.  Extra material is pinned on at the bust and the back of the hip to show where the pieces should be extended.  To top it off, she very boldly marked the part of the shoulder strap which she would like padded out for more comfort.

Click for Larger

Modify your pattern as needed by the mock-up.  If you have made a lot of changes, you may want to do another mock-up before proceeding to the real garment.  Despite the apparent severity of the modifications to this mock-up, they are so clearly marked that I was able to modify the pattern with complete confidence and proceed to the next stage.

Account for width lost to cording

You WILL lose some width in the pattern to the cording, because the fabric must go around the cords and will not be laying perfectly flat.  If you are doing very little cording (little waist reduction or mostly quilted), or are petite, this isn’t a problem.  However, if you are doing a lot of cording like I did on this corset, it can be a significant loss.  Horizontal cords will shorten the height of the corset.  Vertical cords will shorten the circumference.  Basically, I lost about 1/4″ of fabric width for every 20 cords.  In the case of this corset, it made the bust slightly tighter on each cup, and I had to add 1/4″ to the width of the side panel and 1/4″ to the width of the back panel.  Add the extra width where there will be lots of cording, but be sparing.  If your corset is small, the difference may not be significant enough to worry about even if you plan to cord the entire garment.

How to Make a Simple Busk Pocket

 
Regency Corset Assembly - 48

This tutorial was created using photographs from the corded Regency corset.  It shows how to make a very basic busk pocket, applied to the front of a corset which does not have boning in the busk area.  If you are adding a busk pocket to a fully boned corset (like fully boned stays), it must be added after boning, which cannot be stitched through.  That means you must either leave unboned space where the pocket will be stitched down, or attach it by hand.

The pocket on this particular corset opened on the bottom of the corset, and laces hold the busk in place.  If you are orienting your pocket to open up, just reverse the orientation when you attach it to the corset.  The busk pocket can also be added on the inside of the corset instead of the outside.

I highly recommend finishing the edge of the corset where the pocket will open.  The pocket does add some bulk at that area, and it can make it more difficult to smoothly attach the edging unless you are edging entirely by hand.

 

To make the busk pocket, cut a rectangle of cover fabric longer than the front of the corset is tall.  The width is 2x the width of the busk, plus 2x seam allowance, plus 1/4″.  That will give you a pocket which is about 1/4″ wider than the busk, providing room to stitch it down without making your pocket too small to fit the busk.

Regency Corset Assembly 33

Fold the piece of fabric in half lengthwise, right sides together.  Stitch the open sides together.

Press open the seam, placing it at the center of the panel.

Regency Corset Assembly 34

Stitch it closed at one end.

 

Regency Corset Assembly 35

Turn it and press.  The closed end is to the left in this photo

 

Regency Corset Assembly 44

Mark the body of the corset and the busk pocket cover for eyelets.  Make sure they will match up when finished.  The bottom edge is bound before creating the eyelets, so there is no fear of the eyelets or pocket creating bulk too close to the bottom edge.

 

For the bottom of the busk pocket I decided to make hand-worked eyelets using a looped buttonhole stitch.  You can use any buttonhole stitch you want, or use metal eyelets.

Looped Buttonhole Stitch Eyelet - 2

The first step when hand-stitching eyelets is to define them.  Then create a running stitch just outside the circumference of the hole size you want.  The running stitch will help the eyelet hold its shape, and provide a guide while you create the buttonhole stitches.

 

Looped Buttonhole Stitch Eyelet - 2

Open the eyelet hole with an awl.  Depending upon the material, you may need to slash the material inside the eyelet hole so that it will evenly fold back away from the hole.  I had to do that for the busk pocket because the material was too thick to nicely open with just the tapered awl.

 

Looped Buttonhole Stitch Eyelet - 3

Each stitch starts from the back side of the eyelet, pulled through to the front.  These stitches define the outer edge of the eyelet hole, so try to keep your stitches an even distance out from the circle of running stitches.

 

Looped Buttonhole Stitch Eyelet - 4

Next drop your needle down through the eyelet and have it emerge to the front next to the prior stitch, maintaining your distance from the circle of running stitches.  Make sure the tail end of the previous stitch goes around the outside of the needle before dropping through the eyelet hole.  It is that loop which creates the border edge.  To finish the stitch just pull the thread tight (as tight as you can) and you will be back at the photo above.

If you do not want to create the edge border to your eyelets, just leave out the loop around the needle.

 

Looped Buttonhole Stitch Eyelet - 5

When you have completed the eyelet, instead of dropping the needle through the eyelet hole, run it down through the same place the very first stitch emerged.  This will create a loop to complete the edging.    As you can see, it’s been a while since I’ve done this and the circle is not even.  Practice is the only way to fix this problem.

 

Regency Corset Assembly - 46

The busk pocket cover, with both eyelets stitched.

 

Regency Corset Assembly - 47

Pin the busk cover in place down the center front of the corset.

 

Regency Corset Assembly - 48

Topstitch the busk pocket cover, staying as close as possible to the sides.

 

Regency Corset Assembly - 49

Close the busk pocket on the unfinished edge with a narrow zig-zag stitch.  The photo is from the outside of the corset, but I actually stitched this with the lining up so I could see the border edge of the corset.

Trim it to the edge of the corset, and you’re ready to continue with the next step of your project.

 

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How to Make Regency Period Fan Lacing

 
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This fan lacing tutorial is based on two reference photos showing a Regency period example of fan lacing.  In the photo it appears that the lacing is sewn directly into the fabric used to pull the lacing tight.  I opted to change this detail so the lacing could be adjusted or changed out if needed, without having to completely re-make the tie.  I am including the photos here for educational purposes, so you fine folks can see exactly what I’m talking about.

One of the wonderful things about this method of fan lacing is that it doesn’t require any of the expensive accessories required of modern fan lacing.  That means it’s more economical for the corset-maker on a budget, and there’s no reason you can’t fancy up your ties by making them out of pretty material or embellishing them.

 

Fan Lacing Construction - 1

Each tie consists of two layers of cotton drill fabric, one short length of cotton taffeta ribbon, and one longer length of silk satin ribbon

 

Fan Lacing Construction - 2

The cotton ribbon is pinned into the wider end of the fabric, right sides together.

 

Fan Lacing Construction - 3

I used a 1/2″ seam, and when I got to the narrow end, I sandwiched in the silk satin ribbon.

 

Fan Lacing Construction - 4

I left a large hole along one side of each tie so they could be turned.  You may trim your fabric if desired.  I did not trim.

 

Fan Lacing Construction - 5

The ribbons make it fairly easy to turn the ties.  Just pull them out to fully turn the points.  I then stitched the holes closed by hand using a hidden running stitch.  If you want, you can top stitch around the edges with a sewing machine instead.

Hidden Running Stitch

To create the hidden running stitch, make each stitch alternately through each folded in fabric. The finished appearance is very similar to a machine stitch.

 

After that, lace the back of the corset, running the laces through the loops on the ties.

Corded Regency Corset - Finished

Click for Larger View

Corded Regency Corset - Finished

Click for Larger View

In this photo there is quite a bit of extra length where each section of ribbon is tied off, creating the extra muddle of loose ribbon on the left of the photo.  This is so I could adjust the lengths once I laced it on something and could see exactly where the ribbons were too long or too short.    Each ribbon length ties four grommets (two rows of grommets), except for the very bottom grommets, which are alone because I have an odd number of grommets on each side of the corset.

Jun 012012
 
Corded Regency Corset

Corded Regency Corset - Modeled Tonight I processed and uploaded the remaining photos of the corded Regency corset, which is now with its owner.  One of my friends was kind enough to model the corset, even if it was a little too small for her.

This is a bespoke plus-sized corded regency corset, made with drill cover and coutil interlining, with padded shoulder straps, drawstring on the bust, a busk pocket, and fan lacing.  The chemise is made from cotton muslin, with a drawstring at the neckline.  The bodiced petticoat is also made from cotton muslin, and is open at the sides of the bodice, which are held closed with silk taffeta ribbon through hand-stitched eyelets.  It also has cotton lace along the bottom edge.

Core: One layer of corset coutil
Cover: Cotton drill
Edging: Cotton taffeta ribbon
Cording: Poly twist cord inserted between the coutil and drill
Piecing: three panels per side, two gores per bust, and two shoulder straps
Busk Pocket: 2″ wide, 13″ long pocket, opening at the bottom, hand-sewn eyelets tied with silk taffeta ribbon
Bust Drawstring: Silk taffeta ribbon sewn into the top edging at the bust
Shoulder Straps: Sewn at back, tie in front, padded over the arc of the shoulder

Regency Chemise - Modeled Regency Bodiced Petticoat - Modeled Corded Regency Corset - Outside Corded Regency Corset - Lining Corded Regency Corset - Front Corded Regency Corset - Back

 

Project: Regency Corset

 

Corded Regency Corset

 
Corded Regency Corset

Overbust corsets are non-conical, non-bra overbust corsets popular for modern wear. Historic periods of use range throughout the Victorian and Edwardian, and include all manner of piecing styles involving panels and gores.

This is a bespoke plus-sized corded regency corset, made with drill cover and coutil interlining, with padded shoulder straps, a busk pocket, and fan lacing.

Corded Regency Corset

Core: One layer of corset coutil
Cover: Cotton drill
Edging: Cotton taffeta ribbon
Cording: Poly twist cord inserted between the coutil and drill
Piecing: three panels per side, two gores per bust, and two shoulder straps
Busk Pocket: 2" wide, 13" long pocket, opening at the bottom, hand-sewn eyelets tied with silk taffeta ribbon
Bust Drawstring: Silk taffeta ribbon sewn into the top edging at the bust
Shoulder Straps: Sewn at back, tie in front, padded over the arc of the shoulder

May 122012
 
Corded Regency Corset - Finished

The corded Regency corset is finished, including the fan lacing.  The chemise is also finished, and the bodiced petticoat is very close to being finished.  As soon as all the pieces are ready, I’ll take some nice photos of everything.  Then it will be packed and sent off to the customer.

The fan lacing is based on two reference photos the customer sent me showing a period example of fan lacing.  In the photo it appears that the lacing is sewn directly into the fabric used to pull the lacing tight.  I opted to change this detail so the lacing could be adjusted or changed out if needed, without having to completely re-make the tie.  I am including the photos here for educational purposes, so you fine folks can see exactly what I’m talking about.

 

Fan Lacing Construction - 1

Each tie consists of two layers of cotton drill fabric, one short length of cotton taffeta ribbon, and one longer length of silk satin ribbon

 

Fan Lacing Construction - 2

The cotton ribbon is pinned into the wider end of the fabric, right sides together.

 

Fan Lacing Construction - 3

I used a 1/2″ seam, and when I got to the narrow end, I sandwiched in the silk satin ribbon.

 

Fan Lacing Construction - 4

I left a large hole along one side of each tie so they could be turned.  You may trim your fabric if desired.  I did not trim.

 

Fan Lacing Construction - 5

The ribbons make it fairly easy to turn the ties.  I then stitched the holes closed by hand using a hidden running stitch.

 

Corded Regency Corset - Finished

Click for Larger View

This is what the corset looks like laid out flat, after the lacing has all be put onto the corset.

Corded Regency Corset - Finished

Click for Larger View

The lacing ribbon has not been pre-shrunk for the washing machine, and I will want to adjust the lengths once I lace it on something and can see exactly where the ribbons are too long or too short.  Thus, I left quite a bit of extra length when it tied off each section of ribbon, creating the extra muddle of loose ribbon on the left of the photo.  Each ribbon length ties four grommets (two rows of grommet), except for the very bottom grommets, which are alone because I have an odd number of grommets on each side of the corset.

 

The Other Undergarments

I apologize for not taking detailed photos of the construction, but I am very short on time at the moment.  Hopefully I will make another Regency set at a later date and be able to give all the details.

Regency Chemise - Flat

The chemise is finished.    It’s a fairly standard A-frame chemise typical of the Georgian period.  Since the customer is busty, the front was cut wider than the back, so when the shoulders are matched up it gives the illusion of a trapezoidal shape to the front.  The sleeves are wide enough to be comfortable for a more ample figure as well.  The gussets are square.  All internal seams are french seam construction.  The neckline is very narrow, so I finished it by hand using a hidden running stitch on the inside.  The drawstring is silk taffeta ribbon.

 

Bodiced Petticoat - WIP1

The bodiced petticoat is almost finished.  The bodice is two layers of muslin, and will lace closed at the sides.  I was able to find text reference to drop-front bodiced petticoat, and one example of a drop-front Regency dress, but I had no luck finding any photos of similar extant petticoats.  So, I just made my best guess based on what I could find.

The skirt of the petticoat is five panels with a slight flare to each.  Two of the panels are in the front, creating less bulk and providing a slimming silhouette.  Three panels are in the back, with the most gathering toward the center back.  This will give more leg room and help to keep the gown worn over it from sinking into the small of the back.

The two remaining details are eyelets on the sides of the bodice to lace through, and lace trim along the bottom hem.

 

 

Project: Regency Corset

 

May 072012
 
Regency Corset - Finished Outside

“8″ is in quotes because all told this is less than a day’s work, but it happened in very inefficient mini sewing sessions over the past couple weeks.  There were several days when all intentions of sewing were thwarted.

So, at this point the corset is technically finished.  It is entirely sewn and grommeted.  The only detail left is the period fan lacing, and then I will be making the chemise and bodiced petticoat to go with it.

The top edge was trimmed and edged, as described in How to Edge a Corset and, because of the shoulder straps, How to Edge Around Tabs.

 

The next step was to add the bust ribbon, a small silk taffeta ribbon along the front of the bust which can be tightened to cinch in the top of the bust slightly, or just tied into a nice little bow for decoration.

I edged the entire top edge of the corset before adding the bust ribbon so the ribbon would not create friction and potentially fray the raw edge of the corset inside the edging.  It also means the bust ribbon can be removed without causing any harm to the corset.

Regency Corset - Assembly 50

My edging ribbon is not quite wide enough to cover the existing edging, so I stitched to lengths of ribbon edge to edge.

 

Regency Corset - Assembly 51

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I needed to leave a small hole at the center of the bust where the silk ribbon emerges, so, following the same procedure as for normal edging, I started just to the side of center and stitched until I was at the side seam.  Roughly one inch of edging ribbon is left loose at the outer edge.

 

Regency Corset - Assembly 52

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I then repeated the procedure on the other side, leaving a hole about 1/4″ wide.  Here, the two silk taffeta bust ribbons are threaded through the hole.

 

Regency Corset - Assembly 53

To secure the outer end of the bust ribbon, I stitched it to the loose end of the edging ribbon.  I used a zig-zag stitch and went back and forth several times to make sure it will hold.

 

Regency Corset - Assembly 54

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This photo shows the silk bust ribbon stitched to the cotton edging ribbon.

 

Regency Corset - Assembly 55a

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The new layer of edging ribbon is finished exactly the same as normal edging, but I had to be careful not to catch the silk bust ribbon in the stitching.  The outer ends are folded under, but not stitched.  That way if the bust ribbon needs to be replaced, new ribbon may be threaded in from the armpit area and secured by hand.

 

Regency Corset - Assembly 55b

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This photo shows the bust ribbon pulled slightly, so there is some gathering along the top edge.

 

After that, I grommeted the shoulder straps and the back edges.  The shoulder straps are smaller grommets than the back edge.

Regency Corset - Finished Outside

Click for Larger - Outside View

Regency Corset - Finished Lining

Click for Larger - Lining View

 

Project: Regency Corset

 

Apr 192012
 
Looped Buttonhole Stitch Eyelet - 5

These photos were taken a couple days ago.  I finished the eyelets for the bottom of the busk pocket and attached the pocket.

 

Looped Buttonhole Stitch Eyelet - 2

For the bottom of the busk pocket I decided to make hand-worked eyelets using a looped buttonhole stitch.  The first step is to define the eyelets.  Then create a running stitch just outside the circumference of the hole size you want.  The running stitch will help the eyelet hold its shape, and provide a guide while you create the buttonhole stitches.

 

Looped Buttonhole Stitch Eyelet - 2

Open the eyelet hole with an awl.  Depending upon the material, you may need to slash the material inside the eyelet hole so that it will evenly fold back away from the hole.  I had to do that for the busk pocket because the material was too thick to nicely open with just the tapered awl.

 

Looped Buttonhole Stitch Eyelet - 3

Each stitch starts from the back side of the eyelet, pulled through to the front.  These stitches define the outer edge of the eyelet hole, so try to keep your stitches an even distance out from the circle of running stitches.

 

Looped Buttonhole Stitch Eyelet - 4

Next drop your needle down through the eyelet and have it emerge to the front next to the prior stitch, maintaining your distance from the circle of running stitches.  Make sure the tail end of the previous stitch goes around the outside of the needle before dropping through the eyelet hole.  It is that loop which creates the border edge.  To finish the stitch just pull the thread tight (as tight as you can) and you will be back at the photo above.

If you do not want to create the edge border to your eyelets, just leave out the loop around the needle.

 

Looped Buttonhole Stitch Eyelet - 5

When you have completed the eyelet, instead of dropping the needle through the eyelet hole, run it down through the same place the very first stitch emerged.  This will create a loop to complete the edging.    As you can see, it’s been a while since I’ve done this and the circle is not even.  Practice is the only way to fix this problem.

 

Regency Corset Assembly - 46

The busk pocket cover, with both eyelets stitched.

 

Regency Corset Assembly - 47

I pinned the cover in place down the center front of the corset.

 

Regency Corset Assembly - 48

I then stitched down the busk pocket cover, stitching right along the edges of the cover.

 

Regency Corset Assembly - 49

To finish the busk pocket I used a narrow zig-zag stitch along the top edge of the corset.  The photo is from the front, but I actually stitched this with the lining up so I could see the border edge of the corset.

It is now ready for the top edge to be trimmed and bound.

 

 Project: Regency Corset

 

Apr 122012
 
Regency Corset Assembly 43

I worked on the corded regency corset some more yesterday.  The shoulder straps are padded, the lining is attached, the busk pocket is sewn (if not yet attached), and the bottom edge has been bound.

 

Regency Corset Assembly 36

The prepared padding survived the washing machine perfectly, and didn’t even shrink much at all.  In this photo I have trimmed the ends fairly evenly.

 

Regency Corset Assembly 37

This section of padding is trimmed slightly wider than the shoulder strap.

 

Regency Corset Assembly 38

I have centered the padding on the shoulder straps (6″ is the center point), with the smoothly cut edge even with the straight edge of the shoulder straps.  The padding is sandwiched between the core coutil layer and the drill cover layer.

 

Regency Corset Assembly 39

I used a slight zig-zag stitch to secure all the layers along the trimmed edge.

 

Regency Corset Assembly 40

I then came back along the other edge, also stitching close to the edge with a zig-zag.  The purpose of using the zig-zag is so the edge still has all of its bias stretch in case it’s needed at a later point in the sewing.

 

Regency Corset Assembly 41

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This is one of the shoulder straps with the padding layered in, secured, and trimmed.

 

Regency Corset Assembly 42

Click for larger

After finishing with the padding, I attached the lining to the entire corset.  Again, I used a slight zig-zag stitch close to the edges so they retain their bias stretch.  The back edges are folded under and loose.

 

Regency Corset Assembly 45

After securing along the top and bottom, I secured the lining to the back edges.  The lining needs to completely cover the raw edges of the core and cover, so it is stitched just in from the first cording channel with a hidden running stitch.

 

Hidden Running Stitch

 

To create the hidden running stitch, make each stitch alternately through the body of the corset, and inside the fold of the lining. The finished appearance is very similar to a machine stitch.

 

Regency Corset Assembly 43

Next I trimmed the bottom edge so it was completely smooth, and bound the edge.  Normally I have the edge binding cover the outer 1/4″, but the cotton taffeta ribbon I am using for this corset is too narrow.  Instead I bound the edge just inside from the zig-zag stitches, about 3/16″.

For a detailed tutorial on edge binding, see How to Edge a Corset.

 

Regency Corset Assembly 33

To make the busk pocket, I cut a rectangle of fabric longer than the front of the corset is tall, and 5.75″ wide.  Taking into account the 1/2″ seam allowance, that gives me a finished busk pocket cover which is 2 and 3/8 inches wide, wide enough to be sewn down and hold a 2″ wide busk.

 

Regency Corset Assembly 34

I pressed open the seam and stitched closed one end.

 

Regency Corset Assembly 35

Then I turned it.  The closed end is to the left.

 

Regency Corset Assembly 44

Both the body of the corset and the busk pocket cover are marked for eyelets.  The bottom edge is bound, so there is no fear of the eyelets creating bulk too close to the bottom edge.

 

Project: Regency Corset

 

Apr 092012
 
Regency Corset Assembly 32

I made a lot of progress on the corset Sunday.  The body is now fully assembled, and all the cording has been inserted.

 

Regency Corset Assembly 22

The first task of the evening was to reinforce the points of the bust gores with hand stitching.  I used an up-down buttonhole stitch, which is also what I am planning to use on the few eyelets I stitch by hand.  I’ll post about the specific hand stitch later, along with illustrations.

Detail of the Gore Point Reinforcement Stitches

 

 

Regency Corset Assembly 23

I then turned my attention to finishing the assembly of the body of the corset.  The back panel is attached to the side panel in exactly the same way the side panel is attached to the front panel with one very minor difference.

When you bone, cord, or reed a corset, some width is lost due to the minute amount of fabric that travels out and then back in around the boning.  With a lightly boned corset this difference is too small to worry about, as the lacing gap compensates nicely.  However, when you have a corset with a lot of boning channels it can add up to a great amount of difference.  The difference will vary depending upon the precise boning used, but on average I have found that I loose about 1/4″ of width for every 20 channels.  Since there are a lot of cording channels in this corset, I wanted to add some fabric width to compensate for the fabric width lost to channels.  It didn’t need to be much, so I stitched the side panel / back panel seam at 3/8″ instead of 1/2″, effectively adding back 1/4″ of width at the back of the armpit.

 

Regency Corset Assembly 24

I then smoothed out the two layers of the panel and pinned the outer edge.

 

Regency Corset Assembly 25

I made the first stitch (to stabilize the two layers) at the outer boundary of what will be the grommet line.  I left only 1/2″ seam allowance over the edge.  In hindsight, I should have made it about 1.5″ wide so it would fold back far enough to reinforce the grommets, but it’s too late for that.

After securing the layers, I folded under the raw edge and stitched the cording channel.  It will have two channels to the outside of the grommets.  The raw edge of the panel will be covered by the lining later.

 

Regency Corset Assembly 26

To give the back panel some strength and help prevent buckling at the grommets, there are seven cording channels inside the grommet line.  I also stitched two more cord channels alongside the seam.

 

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I attached the shoulder straps before inserting the cording so the bulk would not cause any interference.  If your cording pattern includes cording that ends at the shoulder strap, it should be attached after cording.

In the above photo, both layers of the shoulder strap are lined up, wrong sides out, like was done with the seams between the body panels.

 

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Unlike with the body panels, I slightly trimmed the inner layers of fabric so they will lay more smoothly against the shoulder.

 

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I then turned out the shoulder straps and top-stitched to hold them in place.

I also at this point finished sewing together all the panel pieces of the lining, but I did not take a picture.  It’s normal garment assembly because there is only one layer of material.  The only difference is that I stitched the side panel / back panel seam at 3/8″ rather than 1/2″ so it will match up to the outer body layers.  I would rather have a little extra give in the lining than too little.

 

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After that I turned my attention to another item which will need pre-washing, the padding for the shoulder straps.  The recipient of the corset requested extra padding to help make the shoulder straps more comfortable.  Ideally I would have used 100% wool felt, but I could not find any at two different fabric stores.  Instead, I went with the economy option, felt crafting squares.  They are 100% polyester, so they won’t hold up in a washing machine on their own merit.  Thus, I created the quilted pads before pre-washing, and I will cut them to size once they are pre-shrunk.

The above photo shows three layers of felt, staggered so it’s thicker in the middle than the outside.  The felt is then sandwiched between muslin scraps.

The below photo shows the layers quilted with large zig-zag stitching, and then roughly trimmed.  I will be pre-washing this in hot water along with some cotton taffeta ribbon for the edging.  That way I know for sure if it can survive washing, and can cut it out to fit the shoulder straps after shrinking.

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Click for Larger View

I then put away the sewing machine and inserted the cording into the back panels.  This is how the corset looks right now.  It still needs the busk pocket, edging, grommeting, and to finish the shoulder straps.

 

Project: Regency Corset

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