Chapter 4 – “Artists always starve.” That sentence will probably echo in my head in Father’s voice for the rest of my life.
Read More
I sometimes get asked how to use sigils, from people who would like a little more guidance than the blurb tacked onto the end of every sigil post I make. In this post, I write about how to determine which sigil will work best for you, and some methods how to use sigils.
Read More
This painting features two snuggling minimalist bunnies, painted with a dark brown brush marker on watercolor paper.
Read More
I have been wanting to create at least one piece of art for the coming Yule, so in the previous two days, between housecleaning in preparation for a holiday visit, I created “The Longest Night”. It’s a drawing of a stag, representing the horned lord of the forest, pausing in the moonlight on the night of the winter solstice.
Read More
This is a pair of miniature Victorian cat portraits painted in brown ink, placed in a filigree locket.
Read More
In October I was approached about creating a minimalist painting of a wolf for a tattoo design. The specific concept was a wolf, walking up a hill, pauses to look back over its shoulder at the viewer.
Read More
Further progress on two oil paintings, a Samhain themed still life, and an ocean landscape painting.
Read More
On Tuesday, the 16th of October 2012, I worked on one painting, the cover art for Mermaid Drowning.
Read More
On the evening of October 8, 2012 I worked on two oil paintings. I added another layer to the book cover for Mermaid Drowning, and I resumed work on the Samhain Candles still life. I hope to have both paintings finished before the end of the month.
Read More
Wonder of wonders, on Thursday the 4th of October I finally sat down and got out my oil paints for the first time since moving to Las Vegas.
Read More