After obtaining appropriate supplies, I was able to create four finished minimalist pieces of art. All of them are made with Faber-Castell Pitt brush pens on heavy weight multi-media paper. There are two cats, one bunny, and a pair of lions.
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I worked on two paintings tonight. One is a continuation of the Diana Portraits project, where I laid down a second underpainting layer on a new test portrait. The other painting I worked on was the Complete Contentment Celtic piece, which is finally nearing completion.
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In October I was approached about creating a minimalist painting of a wolf for a tattoo design. The specific concept was a wolf, walking up a hill, pauses to look back over its shoulder at the viewer.
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Wonder of wonders, on Thursday the 4th of October I finally sat down and got out my oil paints for the first time since moving to Las Vegas.
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Original sepia-toned steampunk still life ink painting, featuring a clock teapot and spilled teacup.
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Originally six separate posts made on November 4, 2009. Brush marker on paper.
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Originally posted on November 3, 2009. WIP images originally posted on September 23, September 24, October 15, and October 18, 2009. I still need to apply a layer of varnish, but this is the final image. All I added from WIP4 was some black paint on the raised knot outlines, to make them more distinct.
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Originally posted on October 21, 2009. Reference: [link] by ~MoonsongStockNo reference for the background (as if you couldn’t tell)
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Originally posted on October 18, 2009. One sessionReference: [link] by ~theshinyrockstock To paint this I first did an underpainting of black and let it dry, so there would be no risk of unwanted white showing through. The painting itself was created by applying a thin layer of black paint to the entire canvas, and then adding in
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Originally posted on October 15, 2009. I normally scan the minimalist art so I can remove the visible paper texture, but this was for a birthday card and I barely took the time to photograph it, so you guys get to see paper texture.
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