Nov 212012
 
Mr. and Mrs. Purrrrston

I finished this locket a couple months ago, but just today realized I never posted it to my blog, so here you go.

These mini-paintings created in brown ink on watercolor paper are each about 3/4″ across and 1″ tall. The oval filigree locket which holds the paintings is 1.5″ tall and 1.25″ wide when closed.

This was created on commission.

Mr. and Mrs. Prrrston in Filigree Locket

Crinolines

 
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As an historical reenactor and steampunk enthusiast, I use my knowledge of historic garments and research to create whatever I envision. Every item is custom designed and drafted, so anything is possible, from full historic accuracy in any period, to stage or costume quality garments, or entirely new fashions based closely or loosely on historic designs.  Examples of my past work are displayed in this gallery.

This section includes assorted crinolines for use under costuming of all different kinds.

Crinolines

These crinolines are made using tulle netting, sewn into wide elastic waistbands for maximum comfort and versatility. The fullness is determined by the number of tiers of gathered tulle. When they are lined, it is with cotton muslin.

Drab Green Silk Overbust Corset

 
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Overbust corsets are non-conical, non-bra overbust corsets popular for modern wear. Historic periods of use range throughout the Victorian and Edwardian, and include all manner of piecing styles involving panels and gores.

This is a plus-sized Victorian overbust corset I made for a friend.  It has drab green dupioni silk cover material, flossing, lacing panel, and split metal busk.

Drab Green Silk Overbust Corset

Core: Two layers of corset coutil
Cover: Drab green dupioni silk
Flossing: Beige buttonhole thread
Edging: Matching dupioni silk bias tape
Boning: 1/4" flat spring steel and spiral bones
Piecing: 6 panels per side
Busk: 14" metal straight double busk

1880′s Blue and Cream Silk Sweetheart

 
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Overbust corsets are non-conical, non-bra overbust corsets popular for modern wear. Historic periods of use range throughout the Victorian and Edwardian, and include all manner of piecing styles involving panels and gores.

This is a bespoke 1800′s style Victorian sweetheart overbust corset.  It has cream dupioni silk cover material, blue flossing, blue lace edging, lacing panel, and metal busk.

1880's Blue and Cream Silk Sweetheart

Core: Two layers of corset coutil
Cover: Cream dupioni silk
Flossing: Blue thread and blue floss
Edging: Cream dupioni silk bias tape
Lace: Blue box pleated sheer and lace
Boning: 1/4" flat spring steel and spiral bones
Piecing: 8 panels per side
Busk: 14" metal straight double busk

After completion, it was necessary to add two gores along each hip.

Quilted and Flossed Silk Overbust v.2

 
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Overbust corsets are non-conical, non-bra overbust corsets popular for modern wear. Historic periods of use range throughout the Victorian and Edwardian, and include all manner of piecing styles involving panels and gores.

This is a quilted gore Victorian overbust corset I made for a friend.  It has peacock dupioni silk cover material, contrast quilting on the gores, flossing, lacing panel, and split metal busk.

Quilted and Flossed Silk Overbust v.2

Core: Two layers of corset coutil
Cover: Peacock dupioni silk
Flossing: Beige upholstery thread
Edging: Beige dupioni silk bias tape
Bust: Padded inside the bust area to enhance the apparent size
Boning: 1/4" and 1/2" flat spring steel bones
Piecing: 6 panels and four gores per side
Busk: 12" metal straight double busk

Plum Dupioni Sweetheart

 
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Overbust corsets are non-conical, non-bra overbust corsets popular for modern wear. Historic periods of use range throughout the Victorian and Edwardian, and include all manner of piecing styles involving panels and gores.

This is a bespoke Victorian sweetheart overbust corset.  It has a plum dupioni silk cover, lacing panel, and split metal busk.

Plum Dupioni Sweetheart

Core: Two layers of corset coutil
Cover: Plum dupioni silk
Edging: Black double-face satin ribbon
Boning: 4 1/4" flat spring steel bones, 14 1/4" spiral steel bones
Piecing: 8 panels per side
Busk: 13" metal straight double busk

Tea Stained Spoon Busk Victorian

 
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Overbust corsets are non-conical, non-bra overbust corsets popular for modern wear. Historic periods of use range throughout the Victorian and Edwardian, and include all manner of piecing styles involving panels and gores.

This is a bespoke Victorian mid-bust corset.  It is made with two layers of tea stained corset coutil and split metal spoon busk.

Tea Stained Spoon Busk Victorian

Fabric: Two layers of corset coutil, tea stained
Boning: 1/4" flat spring steel and spiral steel bones
Piecing: Six panels per side
Busk: 12" spoon busk

There are three versions of this corset. The customer had very specific fit needs for comfort which were difficult to determine remotely, so multiple versions were necessary to create her perfect corset.

Plain Back Plus-Sized Overbust

 
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Overbust corsets are non-conical, non-bra overbust corsets popular for modern wear. Historic periods of use range throughout the Victorian and Edwardian, and include all manner of piecing styles involving panels and gores.

This is a bespoke custom commissioned plus sized mid-bust Victorian corset.  It is made from two layers of corset coutil and has a split metal busk.

Plain Back Plus-Sized Overbust

Fabric: Two layers of black corset coutil
Boning: 1/4" flat and spiral steel bones
Piecing: Six panels per side
Busk: 12" metal straight double-busk

White and Black Victorian Overbust

 
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Overbust corsets are non-conical, non-bra overbust corsets popular for modern wear. Historic periods of use range throughout the Victorian and Edwardian, and include all manner of piecing styles involving panels and gores.

This corset is a bespoke custom commissioned Victorian overbust corset.  It is made with gore piecing, a white cotton cover, contrast black quilting and flossing, black lace edging, a lacing panel, and split metal busk.

White and Black Victorian Overbust

Core: Two layers of corset coutil
Cover: White 100% cotton broadcloth
Quilting: Machine-quilted panels of sandwiched horsehair, flannel, coutil, and broadcloth
Flossing: Hand-flossed with 100% cotton embroidery floss
Edging: Black lace on top and bottom edges
Boning: 1/4" flat spring steel bones
Piecing: Panels and gores
Busk: 18" metal straight busk

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