My 2012 drawing, The Longest Night, is a dedication to the deeper meanings behind the sabbat of Yule, of the winter solstice, of the longest night of the year. That symbolism is relevant throughout the year.
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It may seem counter-intuitive to include a plastic tree as a sincere spiritual component of Yule, but it makes sense to me for some very specific reasons.
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This 2019 solstice season demanded that I stop, rest, and shelter in the darkness. I needed to stop doing in order to see how to do the things that are most important to me. I needed to rest in the darkness in order to more clearly illuminate my path.
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