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Red and Blue Viking Garb – Teaser

Diana wearing her hand-sewn Viking age garb at an event, teaser photo.
Diana wearing her hand-sewn Viking age garb at an event.

The main project I have been working on for the past couple months (and then some) is Viking garb for Diana and myself.  It can be extremely taxing for me to spend time at a sewing machine, so I decided to make the outfit entirely by hand.  It’s not unusual for me to be able to sit on the couch and stitch away slowly, so even though it took a lot more hours of work to make, it means Diana’s garb is well underway and wearable.  Had I decided to make it by machine, odds are it would still be sitting un-sewn.

Diana was able to wear the garb to Great Western War 2015 the one day we attended, but it was so hot and we were so tired that taking nice, full-length photos was not going to happen.  Instead I took a little teaser snapshot while we were sitting in the shade.

The Serk

The red linen underdress (also called a serk) took a little more than fifty hours to sew by hand.  I have not added any decoration to it yet.

Viking Serk Construction Detail, by Sidney Eileen - Hand sewn running stitch and whip stitch with thread pulled from scrap fabric.
Detail of the seam and hem construction of the red linen serk. Upper is the inside of the dress, and the lower is the outside of the dress. It was assembled with running stitch using thread pulled from the fabric. Seam allowance was folded over and whip stitched. Hem was also folded over and whip stitched.
Flat Felled Seam Finish Illustration, by Sidney Eileen
Flat Felled Seam Finish Illustration
Basic Whip Stitched Hem Illustration, by Sidney Eileen
Basic Whip Stitched Hem Illustration

The Apron Drape

The apron drape is hemmed with double herringbone stitch in Londonderry linen thread, with about fifteen hours of sewing involved.  It is about six inches longer than it should be to avoid tripping over it, so Diana had to pin a fold to wear it at the event.  I am currently unsure if I should just turn it into a table runner and make an entirely new one that’s also a little wider, or if I should fold the fabric and add some more embroidery to hold it in place.  The intention for this piece is a simple white apron that is functional and can be easily washed and bleached, so I had not originally intended to add any more decoration to it.  Decisions, decisions.

White Viking Apron - Detail, by Sidney Eileen - Linen fabric, hand sewn with herringbone stitch done in line thread.
White Viking Apron – Detail

The Apron Dress

The apron dress is a floor length, open-front style with pleating in the back.  It is inspired by Valkyrie figurines, and intended as special occasion style garb, rather than practical everyday style wear.  It is held closed in the front by a penannular brooch that is hidden by the apron drape in the top photo.  It took about fifty hours to hand sew, which includes the time spent embroidering the shoulder straps.  I have spent about twenty-five hours on embellishment so far.

Blue Open Apron Dress - WIP Detail, by Sidney Eileen - Hand sewn and embroidered with linen, decorated with cotton tablet weaving I did not make.
Blue Open Apron Dress – WIP Detail

The above photo shows part of the top of the dress, at the back where the shoulder strap attaches.  Along the bottom of the photo you can see the seams of the pleats.  Sewing is all done with line thread pulled from the selvage of the fabric.  Embroidery is done with Londonderry linen thread.  The top and bottom tablet woven bands were created by my friend Amy, and the middle band Diana received in an informal SCA art exchange.  The tablet woven bands are applied using linen thread pulled from the selvage.

Apron dress shoulder strap, showing detail of the seam being closed using a double van dyke stitch, by Sidney Eileen
Apron dress shoulder strap, showing detail of the seam being closed using a double van dyke stitch.

Van dyke stitch can be used to create a beautiful braid-like appearance by using close stitches.  In this case I worked two threads, catching the loop of each stitch under the intersection of the same color’s previous stitch.  Because the stitches across the seam all go down and left, the down stitch pulls down the right side, and the up stitch pulls up the left. If you don’t adjust the tension at every single stitch, the left side trends to travel up and the right travels down, resulting in misalignment. Basting the two sides together would probable reduce the problem a lot if you don’t like fiddling with the tension constantly.

Detail of the apron dress shoulder straps while in progress, by Sidney Eileen. At this point it just needed the remainder of the interlace stitch added to the running stitches.
Detail of the apron dress shoulder straps while in progress. At this point it just needed the remainder of the interlace stitch added to the running stitches.
WIP of the embellishment on the open apron dress, by Sidney Eileen
WIP of the embellishment on the open apron dress.

Project: Viking Age Garb